http://www.marillion.com/tou

the dates we are doing so far (maybe more, but some technical aspects to over come) are

14th November @ the Manchester Academy
15th November @ the Bournemouth Opera House
19th November @ the Forum LONDON

tickets are here http://www.marillion.com/tou

we would love you to come and see us play and support two great bands!

more to come…

SSP
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Supporting Marillion & Manchester Academy

click Marillion link for tickets.

Supporting Marillion & Bournemouth Opera House

click Marillion link for tickets.

Supporting Marillion & the Forum LONDON

click Marillion link for tickets.

Ben(Bass) was first up, he uses a really old Fender Jazz with an Ampeg SVTii all valve monster with a 6×10 Cab, we mic’ed it with a Sm57 and a Heil mic through an API mic pre and the 57 though the Shadow Hills, turned the amp to eleven it was that simple! It took over a week to track the Bass, Ben is very particular about what he hears so it had to be spot on.

Then came the guitars, Mike had about 6 guitars he bought along with him, 12 string Ricky, two telecasters, and couple of les paul style guitars, plus with my 6 string ricky we had plenty to choose from.  At the time Mike played through a Mesa amp & Marshal cab. We had also borrowed an old 1950’s marshal head & Cab from the Delays, as they only live round the corner, I had recorded them a long time ago when they were Idoru so we’ve become friends over the years, we also had a Hi-Watt 100w hand wired head & cab plus an Orange Tiny Terror and a Rocker 30. We would normally couple a few together to get the tone we were after, the Orange and the Old 1950’s Marshall paired up quite nice, the Hi-Watt was generally super clean and used at very loud volumes then paired up with some thing dirty. In fact the Orange Tiny Terror was used to track pretty much all the rhythm guitars for Brown Bread…at only 7 watts it’s a monster little thing.

At this stage we had almost all the main parts done, all on the Radar recorder ready for mixing.

In Part 3 we’re recording session musicians and mixing.

Live at the legendary Bath music venue Moles

Live at The Railway Winchester

Write your own review of the show in the comments section below.

canceled due to illness - this really upsets us when we have to do this, unfortunately it can not be helped. please accept our apologies. SSP

Hello World!!Welcome to the Sine Star Project Web site. As we get up to speed this year in 2008 here you will find every thing you could ever want, free downloads, rare ‘B’ Sides, interviews and videos, podcasts, blogs, tour diaries, and perhaps most importantly where you can catch up with Sine Star live.The best bit about this site is that it’s yours! You can comment on any post, post live reviews, making it totally interactive, you can subscribe to RSS feeds of gig dates, blogs, track replies to your post….what more …well lots more…there is of course our music that we spent most of 2006 and all of 2007 making, the new album Building Humans, out March 10th, so that’s what its all about…check it out…see you out there.
ssp
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This songs overall impact is highly charged, emotional music delivered in a grandiose style.

Sine Star Project’s influences are hard to pin down, a few elements point to some of the great classical composers, but rock influences are also apparent including Queen, Led Zeppelin, Jeff Buckley, Muse, Tool and Pink Floyd to name but a few.